It was not until 1986, a full 15 years after his weekly television show had ended, that "one of America's clowns" received his overdue critical praise. Only then did the critics realize what the public had long known. Regardless of his passion for corny gags and slapstick comedy, Red Skelton was a gifted comedian. He was one of the few performers to succeed in four entertainment genres-vaudeville, radio, film,  and  television. To honor his lifetime achievements, Skelton received the Academy of Television Arts and Sciences Governors Emmy Award in 1986 and the critical praise he deserved.

     Skelton's youth was characterized by poverty and a fascination for vaudeville. It was the influence of vaudeville great Ed Wynn that led Skelton to perfect his own comedy routines. The basics of Skelton's vaudeville act consisted of pantomimes, pratfalls, funny voices, crossed eyes, and numerous sight gags that would serve to identify him throughout his entertainment career. It was also during this period that Skelton began developing various comedy characters.

     His radio show, which ran from 1941 to 1953, provided the opportunity to present his comedy to a mass audience. The limitations of the sound medium also made it necessary for him to develop further the characters he would later bring to television: Freddie the Freeloader; Clem Kadiddlehopper, the country bumpkin; Willy Lump Lump, the drunk; Cauliflower McPugg. the boxer; The Mean Widdle Kid; and San Fernando Red, the con man.

     In conjunction with his radio show, Skelton also enjoyed film success, most notably in Whistling in the Dark (1941), The Fuller Brush Man (1948), A Southern Yankee (1948), and The Yellow Cab Man (1950). Regardless of his vaudeville, radio, and film success, it would be television that would bring him his greatest fame and endear him to his largest audience.

     The Red Skelton Show began in 1951 on the National Broadcasting Company (NBC) as a comedy­ variety show. Skelton co-produced this initial show, which was a half-hour program on Sunday evenings. In its first year, the show finished fourth in the ratings and received the Emmy Award for Best Comedy Show. Unlike other radio comedians, Skelton's comedy act entailed more than his voice, and television provided the opportunity to display fully the showmanship talents he had begun to exhibit in vaudeville.

     In 1953, the show moved to the Columbia Broadcasting System (CBS) on Tuesday nights. and in 1961 it received a second Emmy Award for Outstanding Writing Achievement in Comedy, expanding to an hour-long show the following year. In 1964, the show made the Nielsen Top 20,  where it stayed until its end in 1970.

     The show consisted of Skelton’s opening monologue, performances by guest stars,  and comedy sketches that included his various characters. Perhaps the most unique part of the show (and for all of television) was 'The Silent Spot," a mime sketch that often featured Skelton’s character Freddie the Freeloader. The only regulars on the show were Skelton and the David Rose Orchestra. The Red Skelton Show set the precedent for future comedy-variety shows, such as The Carol Burnett Show.

     According to CBS, the show's 1970 cancellation was due to rising production costs and the network's desire to appeal to more upscale advertisers (the show finished seventh in its final season). The following year, Skelton returned to NBC with a half-hour comedy-variety show that included a cast of regulars. The show's premiere featured Vice President Spiro Agnew. This time, unfortunately, the uneven comedy failed to match Skelton's previous success. The show's cancellation marked the end of Skelton's television career, a run of 21 straight years that also included guest appearances on other television series and involvement with 13 television specials. The only television performer with a longer stay was Ed Sullivan (24 years as host of The Ed Sullivan Show).

     Following his departure from television, Skelton maintained a low profile and performed at resorts, clubs, and casinos. In the early 1980s. a series of superb performances at Carnegie Hall received critical praise and briefly thrust him back into the public spotlight. The newfound interest in Skelton resulted in three comedy specials for Home Box Office (HBO).

     Since his TV show was seldom rerun and is not syndicated, it is easy to forget Skelton's popularity. Based on longevity and audience size, The Red Skelton Show is the second-most popular show in TV history (Gun­smoke is first). As Groucho Marx once said, Red Skelton was "the most unacclaimed clown in show business." Marx noted that by using only a soft, battered hat as a prop, Skelton could entertain with a dozen characters . He died in 1997 at the age of 84.